In the spirit of our monthly inspiration post, and as long time fans, we decided to dedicate this post to the everlasting beauty of Sarah Moon's work.
Sarah moon was born in 1940 in England, and currently lives in Paris, the formal model has been working as a photographer since 1967.
Moon's first photographs were portraits of friends – who also happened to be models – and her career grew from there. "Somebody lent me a camera," she says, "and while we waited between shots, I took pictures. It came out of friendship." Before long her images were everywhere and she was creating images for Comme des Garçons, Cacharel, Issey Miyaki and Chanel. Sarah was also the first female photographer to be commissioned by Pirelli to shoot their famous calendar in 1972.
As a poor student I returned her book "Coincidences" that I bought in 2001, which has since gone out of print, big mistake, to my surprise my boyfriend ended up getting it for my birthday from a used book seller last year!
Also, while in Berlin last summer I decided not to pick up her newest book, "12345", a comprehensive 5 volume look at her extraordinary work, because of it's huge size & price, thinking I could order it when I got home. It has since gone out of print. What a disaster and horrible luck. I'm trying to get my hands on a copy of these, I'm hoping there are some still floating around. You can read a recent interview in conjunction with the release of Sarah's "12345" book here. There's also a YouTube video of someone flipping through the book (cheesy music included!)
Some of Sarah's work, mostly from the 2000s
Issey Miyake & Marie Claire Japan
10 Magazine 2008
Hussein Chalayan, 2000
Lilith Campaign 2009 & Le Parfum, 2001
Black Book Magazine & Glamour Italy
In Sarah's own words:
"After all these years, people hire me because they want my impression," she says, "they know what I do. I know how difficult it is to make a living as a fashion photographer, however, and, with so many photographers now working, it is harder than ever to believe in your own vision, to listen to your own voice. That, though, is what any good photographer must do. That, in the end, is what it is all about. You have to listen to your own voice, to work for yourself, and accept that it will make a difference."
Comme des Garcons & Galiano
Dior Homme in Metal Magazine, 2010
"For me, photography is pure fiction," Moon says, "even if it comes from life. I photograph people, of course, as I do nature – trees, flowers, animals – but I charge it with something other than reality, with feeling, with a certain feeling depending on the day. I compare myself to reportage photographers, who make some sort of statement about life. I don't believe that I am making any defined statement. Instead, I am expressing something, an echo of the world maybe."
Stiletto Magazine, 2007
Vogue Nippon 2007
Wunderkind, 2010
Le Monde Magazine
A video of Sarah Moon talking about her work
Sarah Moon is represented by Michael Hoppen Gallery, and Renate Gallois Montbrun.
All photographs © Sarah Moon
Friday, February 4, 2011
Sunday, January 9, 2011
Glen Luchford.
Great new interview with Glen Luchford on what it's like to be a fashion photographer today on models.com
Copyright Glen Luchford
Copyright Glen Luchford
Friday, January 7, 2011
Photographers of the Month: Sofia Sanchez & Mauro Mongiello
Sofia Sanchez & Mauro Mongiello are an Argentinian photography duo who create sharp, quirky and sexy fashion stories for numerous glossy editorial titles.
Sophia & Mauro met in Argentina while Sofia was studying cinema, and Mauro was playing in a rock band. After moving to Paris, they won the Picto prize for young fashion photographers in 2002, and their career too off.
The duo (once a married couple, but now separated, yet still closest friends) explore female sexuality, fetishes and fantasies in their work, which is often provocative without being explicit.
Although they shoot beautifully simple and intimate portraits, it's their fashion work that really stands out. Numéro Magazine has been a great forum for them, and they've contributed main fashion stories to almost every issue for years now. They have also been published in Flair, The New York Times, 10, Interview, and various editions of Vogue.
After a bit of digging, I found out that like us Sofia and Mauro prefer to take turns shooting. Mauro usually starts, then steps back whilst Sofia continues working with her camera. They talk and discuss what's working and what's not during the shoot, then take a break to go through the images, and agree on whether they have got the shot or not. Later, they'll edit the images together and almost always agree on which is their strongest image.
Numéro October 2008 with Siri
Numéro, May 2010 with Varlerija
Sophia & Mauro met in Argentina while Sofia was studying cinema, and Mauro was playing in a rock band. After moving to Paris, they won the Picto prize for young fashion photographers in 2002, and their career too off.
The duo (once a married couple, but now separated, yet still closest friends) explore female sexuality, fetishes and fantasies in their work, which is often provocative without being explicit.
Although they shoot beautifully simple and intimate portraits, it's their fashion work that really stands out. Numéro Magazine has been a great forum for them, and they've contributed main fashion stories to almost every issue for years now. They have also been published in Flair, The New York Times, 10, Interview, and various editions of Vogue.
Obviously as a photo duo ourselves, we are often interested in how other teams work. There are several very successful partnerships like Inez & Vinoodh and Mert & Marcus working today, and their working dynamic is often complicated - sometimes one will style and have the idea, whilst the other concentrates more on the technical side of capturing the pictures.
After a bit of digging, I found out that like us Sofia and Mauro prefer to take turns shooting. Mauro usually starts, then steps back whilst Sofia continues working with her camera. They talk and discuss what's working and what's not during the shoot, then take a break to go through the images, and agree on whether they have got the shot or not. Later, they'll edit the images together and almost always agree on which is their strongest image.
Several Numéro editorials
One of my favourite editorials with Canadian Mode Model Megan Collison. Love the styling, the props and the whole concept. So simple, yet so striking.
La Captive, Numéro, May 2008
Numéro Korea, January 2009 with Myf
Numéro, May 2010 with Varlerija
All images © Sofia Sanchez & Mauro Mongiello
Wednesday, January 5, 2011
Inspiration: Paolo Roversi, Natalia Vodianova and Flashlight
We're big fans of Paolo Roversi's work here at W&W, so when I came across this old editorial, it brought back fond memories of seeing it for the fist time. I remember seeing this in an 2003 issue of Vogue Paris, and even though at first I hated the clothes, the shoot grew on me. I think the lighting is beautiful. Enjoy!
Haute Tension, Vogue Paris, March 2003 by Paolo Roversi
Haute Tension, Vogue Paris, March 2003 by Paolo Roversi
Sunday, December 19, 2010
Photographer of the Month: Laurie Bartley
Born in 1977, British fashion photographer Laurie Bartley, got his start when he got involved with magazines like The Face, Dazed & Confused and Pop. I remember first noticing his work in a sauna themed editorial in Vogue UK May 2005 issue, and later again in November's Vogue China spread with Sasha Pivarova.
Vogue UK May 2005
Vogue China Nov 2005
Laurie has the ability to light a scene so naturally that the ambiance is not lost but the subject still pops out of the scene. His lighting is brilliant! He embraces a cinematic approach that brings a mysterious sensibility to fashion photography.
Supermodel Collette in Flair, December 2005
Beautiful winter editorial with Hye Park in Vogue Nippon Dec 2008
Various Editorials
His latest, New York State of Mind, photographed for September's US Elle is impeccable.
All images copyright Laurie Bartley
Vogue UK May 2005
Vogue China Nov 2005
Laurie has the ability to light a scene so naturally that the ambiance is not lost but the subject still pops out of the scene. His lighting is brilliant! He embraces a cinematic approach that brings a mysterious sensibility to fashion photography.
Supermodel Collette in Flair, December 2005
Beautiful winter editorial with Hye Park in Vogue Nippon Dec 2008
All images copyright Laurie Bartley
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